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DUDLEY ANDREW LAS PRINCIPALES TEORÍAS CINEMATOGRÁFICAS Edición ampliada y actualizada EDICIONES RIALP, S. A. MADRID
James Dudley Andrew (born July 28, 1945) is an American film theorist. He is R. Selden Rose Professor of Film and Comparative Literature at Yale University, where he has taught since the year 2000. Before moving to Yale, he taught for thirty years at the University of Iowa.
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Dudley Andrew studied English and Philosophy, then learned filmmaking before getting in on the ground floor just as Film Studies was taking off in the USA. His dissertation on film theorist André Bazin has funded several of his books, and has taken him frequently to France where he wrote two large histories of 1930s culture during the Popular Front...
French Literary, Cinematic, and Philosophical Culture 1919–1989; Aesthetics and Hermeneutics; Adaptation and Translation; Film Theory and Criticism; World Film (Asia, Europe, Africa).
André Bazin on Adaptation, Cinema’s Literary Imagination (ed), Univ. Of California Press, 2022. André Bazin’s New Media (ed and tr.) University of California Press, 2014. Opening Bazin (edited with introduction), Oxford Univ Press (Winner SCMS best Anthology Award for 2011) A Companion to François Truffaut, ed with Anne Gillain. Wiley Blackwell 201...
French Cinema, a very short Introduction. Oxford Univ. Press, 2022 Encountering World Cinema For further information, consult the CV
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Sinopsis de LAS PRINCIPALES TEORIAS CINEMATROGRAFICAS. El autor, conocido teórico e historiador de las teorías sobre el hecho fílmico, ofrece una amplia panorámica sobre quién es quién en el mundo de la teoría del Cine.
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26 de feb. de 1995 · Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history.
In this chapter I review six contributions to the field of film theory published in 2018: Carl Plantinga's Screen Stories: Emotion and the Ethics of Engagement (Oxford University Press); Miklós Kiss and Steven Willemsen’s Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema (Edinburgh University Press); Nicholas Godfrey’s The Limits of Auteurism: Case Studies in ...
In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation,...
