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  1. The Natch'l Blues is the second studio album by American blues artist Taj Mahal, released in 1968. [1] Track listing. All tracks composed by Taj Mahal, except where indicated: Side 1. "Good Morning Miss Brown" – 3:13. "Corinna" (Mahal, Jesse Ed Davis) – 2:59. "I Ain't Gonna Let Nobody Steal My Jellyroll" – 3:12.

  2. The Natch'l Blues (Columbia, 1968) Giant Step (Columbia, 1969) Happy Just to Be Like I Am (Columbia, 1971), guitar on "Oh Susanna" and "Chevrolet" The Rolling Stones Rock and Roll Circus (ABKCO Records, 1996) As leader ¡Jesse Davis! (Atco Records, 1971) Ululu (Atco Records, 1972) Keep Me Comin or Keep On Coming (Epic Records, 1973)

  3. The Natch’l Blues - 1968 Columbia. Following his self-titled 1968 debut by only a few months, The Natch’l Blues is a riveting blend of superb musicianship and songwriting. Taj Mahal harp (harmonica) and miss “national,” steel-bodied guitar, vocals. Jesse Ed Davis guitar, piano, and brass arrangements. Gary Gilmore bass. Chuck Blackwell drums.

    • The Natch'l Blues Jesse Ed Davis1
    • The Natch'l Blues Jesse Ed Davis2
    • The Natch'l Blues Jesse Ed Davis3
    • The Natch'l Blues Jesse Ed Davis4
    • The Natch'l Blues Jesse Ed Davis5
  4. Jesse Ed Davis was such a master of guitar among other things. His contributions on this album are so deep and you can tell how close he was to Taj. Their interplay together is so incredibly tight. Listening again after some time just makes me smile. This is what the blues should do.

  5. tajblues.bandcamp.com › album › the-natchl-bluesThe Natch'l Blues | Taj Mahal

    Jesse Edwin Davis - Guitar, Piano and Brass Arrangements. Gary Gilmore - Bass. Chuck Blackwell - Drums. (also) Al Kooper - Piano. Earl Palmer - Drums. all rights reserved. Tags. blues reggae acoustic folk traditional California. The Natch'l Blues by Taj Mahal, released 23 December 1968 1. Good Morning Miss Brown 2. Corinna 3.

  6. Davis’ main setup was his white Tele through a tweed 4×10″ Bassman with JBLs, although he’d sometimes use a Vibro Champ in the studio. As Mahal pointed out in his VG interview (October ’04), Jesse was one of the first guitarists to experiment with a Leslie. “He used it a little bit on Natch’l Blues and a little more on Giant Step.

  7. A full-blooded Kiowa Indian, Jesse Ed Davis was perhaps the most versatile session guitarist of the late '60s and early '70s. Whether it was blues, country or rock, Davis' tasteful guitar playing was featured on albums by such giants as Eric Clapton, Neil Diamond, John Lennon and John Lee Hooker, among others.