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  1. en.wikipedia.org › wiki › XTRMNTRXTRMNTR - Wikipedia

    The album also features contributions from The Chemical Brothers and Bernard Sumner of New Order. [3] The album is notable for being the final full-length release on Creation Records, with the track "Accelerator" later lifted to become the final single released on the label.

  2. 31 de ene. de 2020 · En XTRMNTR, Sumner aportaría voces y guitarras en “Shoot Speed Kill Light”, como también trabajaría en otros detalles de la producción del disco. Mientras que los Chemical Brothers harían un remix de una de “Swastika Eyes”, no solo una de las mejores canciones de XTRMNTR, sino de toda la discografía de Primal Scream.

  3. 31 de ene. de 2020 · XTRMNTR (pronounced "Exterminator"), released Jan. 31, 2000 in the U.K. and licensed in the U.S. soon after, broke the band's streak of staking new genre territory on each release, instead...

  4. 31 de ene. de 2021 · Con temáticas futuristas que auguraban un universo distópico, la agrupación escocesa liderada por Bobby Gillespie presentó XTRMNTR, un material que revolucionó el sonido de Primal Scream y que rompió con el concepto del mítico Screamadelica. Cuando la inconformidad se volvió sonido:

  5. 31 de ene. de 2000 · Published By – Discovery Productions Inc. Mixed At – The Glue Factory. Glass Mastered At – Nimbus – D6153. Designed At – Intro (11) Credits. Musician – Bernard Sumner, Brendan Lynch, Darren Morris, Gay-Yee Westerhof *, Greg Knowles, Kevin Shields, Marco Nelson, Phil Mossman, Zac Danziger *

    • (100)
    • UK
    • 79
    • CD, Album
  6. 31 de ene. de 2020 · XTRMNTR is essentially Screamadelica ’s evil twin. Their molecular structures are similar — both feature an 11-song/hour-long format, track reprises, revisions of past material, and a comedown ...

  7. The talents of Kevin Shields and Joy Division/New Order alum Bernard Sumner combine for one final techno-punk assault. Though it could be argued that the Live in Japan record offers a rawer, more visceral version of this, the sonic impact of the recorded version is equally urgent and gloriously vocodered to death.