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  1. 6 de abr. de 2016 · Fritz Lang’s foray into using sound in a film brought about a stunning accomplishment. Sound is never an afterthought to accompany a scene, it is focus of almost every scene in the film. He approached sound editing as if he were editing scenes, chopping certain sounds and highlighting others in order to create the right mood.

  2. The technological development that most liberated the sound film, however, was the practice known variously as postsynchronization, rerecording, or dubbing, in which image and sound are printed on separate pieces of film so that they can be manipulated independently.

  3. Released in both a silent and a sound version, Blackmail reveals the ever-innovative Hitchcock pushing the medium to its expressive limits to explore the cinema’s potential to create suspense and moral ambiguity, complexly engaging the viewer as an accomplice to the strange and fascinating stories that Hitchcock alone could tell.

    • directed scenes added to the sound version of the film, but was uncredited.1
    • directed scenes added to the sound version of the film, but was uncredited.2
    • directed scenes added to the sound version of the film, but was uncredited.3
    • directed scenes added to the sound version of the film, but was uncredited.4
    • directed scenes added to the sound version of the film, but was uncredited.5
  4. The Canary Murder Case was one example of a trend among the studios during this time: turning a silent picture into a talkie by dubbing the cast over scenes of the silent film, and adding some scenes. Dubbing and reshoots were complete by December 28. The total cost of the picture, plus sound changes, was no more than $200,000.

  5. What is Sound Design? You may assume that it’s about fabricating neat sound effects. But that doesn’t describe very accurately what Ben Burtt and Walter Murch, who invented the term, did on "Star Wars" and "Apocalypse Now" respectively.

  6. E.T. the Extra-Terrestrial (or simply E.T.) is a 1982 American science fiction film produced and directed by Steven Spielberg and written by Melissa Mathison. It tells the story of Elliott, a boy who befriends an extraterrestrial, dubbed E.T., who is left behind on Earth.

  7. The Sound version is currently thought to most likely be lost as Universal's archived reels were reportedly burned in a studio fire in 1948, although the soundtrack discs survived, to which fans have produced extensive re-constructions since the film fell into the public domain.