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Stanislaus Pascal Franchot Tone (February 27, 1905 – September 18, 1968) was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s.
Franchot Tone (nacido Stanislaus Pascal Franchot Tone; Niagara Falls, Nueva York; 27 de febrero de 1905-Nueva York, 18 de septiembre de 1968) fue un actor teatral, cinematográfico y televisivo estadounidense.
Franchot Tone. Actor: Dangerous. President of the Dramatic Club at Cornell University, Franchot Tone gave up the family business for acting, making his Broadway debut in "The Age of Innocence". Tone then went into movies for MGM, making his film debut (at Paramount Pictures) in The Wiser Sex (1932).
- January 1, 1
- Niagara Falls, New York, USA
- January 1, 1
- New York City, New York, USA
Franchot Tone. Actor: Dangerous. President of the Dramatic Club at Cornell University, Franchot Tone gave up the family business for acting, making his Broadway debut in "The Age of Innocence". Tone then went into movies for MGM, making his film debut (at Paramount Pictures) in The Wiser Sex (1932).
- February 27, 1905
- September 18, 1968
Though never a major Hollywood star, Franchot Tone (born in Niagara Falls on Feb. 27, 1905) was a reliable leading man and second lead in numerous motion pictures of the 1930s and 1940s.
- Andre Soares
Franchot Tone (February 27, 1905 – September 18, 1968) was an American stage, film, and television actor, star of Mutiny on the Bounty (1935) and many other films through the 1960s. In the early 1960s Tone appeared in character roles on TV dramas like Bonanza, Wagon Train, The Twilight Zone, and The Alfred Hitchcock Hour.
Born the son of a wealthy industrialist in Niagara, New York, and educated at Cornell, Franchot Tone had a distinguished stage career, working with the Group Theater among others. His film career, however, although long and prolific (1933 to 1965), consigned him to roles as wealthy café-society sophisticates, weak cads, or the losing end of ...
