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Charles Herbert Frend (21 November 1909, Pulborough, Sussex – 8 January 1977, London) [1] was an English film director and editor, best known for his films produced at Ealing Studios. He began directing in the early 1940s and is known for such films as Scott of the Antarctic (1948) and The Cruel Sea (1953). [2]
Charles Frend. Director: The Third Key. British director Charles Frend started his film career as an editor, and worked on several Alfred Hitchcock films, including Secret Agent (1936) and Young and Innocent (1937). He later worked for MGM at Elstree Studios, where he edited such films as A Yank at Oxford (1938) and Goodbye, Mr. Chips (1939).
- January 1, 1
- Pulborough, Sussex, England, UK
- January 1, 1
- London, England, UK
Biografía de Charles Frend y su filmografía, todas sus películas: The Long Arm, Scott en la Antártida, A Run for Your Money, Barnacle Bill (1957), Duelo en el mar Charles Frend - Edad | Biografía | Películas | Noticias | Filmografía | Premios - Decine21
Charles Frend (1909 - 1977) fue un director y editor de Reino Unido conocido por Sabotaje (La mujer solitaria), Inocencia y juventud, El agente secreto, Adiós, Mr. Chips, La ciudadela, Un yanqui en Oxford, Valses de Viena, Scott en la Antártida, Mar cruel y The Long Arm.
12 de jul. de 2020 · Monsarrat relató todas estas vivencias en la novela The Cruel Sea (Mar cruel), libro que sería muy apreciado por la sociedad británica y que años después, específicamente en 1953, sería llevado al cine a cargo del director Charles Frend.
Charles Frend. Henry Cornelius (1913 - 1958) Charles Frend tends to be overlooked when it comes to listing influential directors, but his work is fundamental in establishing the Ealing community ethos and creating the blueprint for putting British stiff-upper-lippery on screen. Frend was born in Sussex and educated at Kings School, Canterbury ...
Hace 3 días · BFI Screenonline: Frend, Charles (1909-1977) Biography. Charles Frend was born in Pulborough, Sussex on 21 November 1909. He was educated at Kings School, Canterbury and Oxford University, where he was film critic for the university magazine Isis. He began his career in the cutting rooms of British International Pictures in 1931.
