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Antonio di Matteo di Domenico Gamberelli (Settignano, 1427 o 1428 - Florencia, 1479), conocido como Antonio Rossellino (o sea, Antonio el Pelirrojo), fue un escultor del Renacimiento, hermano de Bernardo Rossellino.
Antonio Rossellino. Antonio Gamberelli (1427–1479), [1] nicknamed Antonio Rossellino for the colour of his hair, was an Italian Renaissance sculptor. His older brother, from whom he received his formal training, was the sculptor and architect Bernardo Rossellino . Born in Settignano, now a part of Florence, he was the youngest of ...
4 de abr. de 2024 · Died: c. 1479, republic of Florence. Movement / Style: Renaissance art. Renaissance. Antonio Rossellino (born 1427, Settignano, Florence [Italy]—died c. 1479, republic of Florence) was a notable and prolific Italian Renaissance sculptor who was the youngest brother of the architect and sculptor Bernardo Rossellino.
- The Editors of Encyclopaedia Britannica
Hermano de Bernardo Rossellino , fue uno de sus más importantes colaboradores. Con él trabajó en el Sarcófago del beato Marcolino en Forl? y en el sepulcro de Neri Capponi en la iglesia del Santo Spirito de Florencia . Poco antes de cumplir los treinta realiza su primer trabajo independiente, el busto de Giovanni Chellini.
Italian fifteenth-century marble reliefs of the madonna and Child were highly esteemed by New York collectors in the first half of the twentieth century, and many were given to the Museum. Of these, the Altman Madonna by Antonio Rossellino is arguably the finest. The strong composition, subtle carving, and partial gilding distinguish it among ...
Antonio di Matteo di Domenico Gamberelli ( Settignano, 1427 o 1428 - Florencia, 1479), conocido como Antonio Rossellino (o sea, Antonio el Pelirrojo ), fue un escultor del Renacimiento, hermano de Bernardo Rossellino. Antonio Rossellino, según las Vite de Vasari.
Antonio Rossellino (1427-79) One of the most highly respected sculptors of the Renaissance in Florence , Antonio Rossellino (also known as Antonio Gamberelli) was highly prolific, and continued the tradition of Luca della Robbia in emphasizing the naturalness and humanity of the Madonna and Child.
