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  1. en.wikipedia.org › wiki › Mary_BeatonMary Beaton - Wikipedia

    Mary Beaton (about 1543–1597), or Bethune as she wrote her family name, was a Scottish courtier. She is remembered in history as one of the four girls who were companions of Mary, Queen of Scots from childhood, known as The Queen's Maries or The Four Maries, and has also entered folklore through the traditional ballad of Marie ...

  2. The four Marys, as they became known, were the companions and ladies-in-waiting of Mary, Queen of Scots: Mary Seton, Mary Beaton, Mary Fleming and Mary Livingston. In 1548, the four Marys joined their Queen at Inchmahome Priory in preparation for their journey to France.

  3. Mary Beaton was about eighteen months older than Mary and was considered the most classically beautiful of the four. On their return to Scotland in 1560 she was much admired by both George Buchanan and Thomas Randolph, the English ambassador to Scotland.

  4. See Photos. View the profiles of people named Mary Beaton. Join Facebook to connect with Mary Beaton and others you may know. Facebook gives people the power to...

  5. Yestreen the Queen had four Maries, the nicht she'll hae but three There was Mary Seaton, and Mary Beaton and Mary Carmichael and me. Word’s gone through the kitchen, and word's gone through the ha, That Mary Hamilton has a wean by the highest Stuart of aa. As she gae'd up the Canongate, a loud loud laugh gied she, But as she gaed doon the ...

  6. 19 de jun. de 2023 · Daughter of Robert (Bethune) Bethune IVth of Creich and Jeanne (de Gresnoir) Lady Creich. Sister of David (Bethune) Beaton Vth of Creich, James (Bethune) Bethune VIth of Creich and Lucretia (Beaton) Wishart. Wife of Alexander (Ogilvy) Ogilvy IVth of Boyne — married Apr 1566 in Scotland. Descendants.

  7. This portrait has traditionally been identified as Scottish noblewoman Mary Beaton (c.1543–1597), who was a lady-in-waiting to Mary, Queen of Scots. Painted in the manner of Flemish artist Antonis Mor, the most celebrated portraitist of his day, the style of the sitter’s dress and wired linen cap suggest the portrait was painted in the 1560s.