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  1. Pierre Spengler (born 5 June 1947) is a French film producer. He initiated the first three Superman films starring Christopher Reeve and produced them with Alexander and Ilya Salkind. Overview. Pierre Spengler started in the movie industry in 1964.

  2. More at IMDbPro. Contact info. Agent info. Pierre Spengler started in the industry in 1964 on the film Paris Secret and went on working as an assistant director, assistant editor and a production assistant on such major films as The Madwoman of Chaillot starring Katharine Hepburn (1968), LE MANS starring Steve Mc Queen (1969) and The Light at ...

    • January 1, 1
    • 3 min
    • Paris, France
  3. Mini Bio. Pierre Spengler started in the industry in 1964 on the film Paris Secret and went on working as an assistant director, assistant editor and a production assistant on such major films as The Madwoman of Chaillot starring Katharine Hepburn (1968), LE MANS starring Steve Mc Queen (1969) and The Light at the Edge of the World staring Kirk ...

  4. Pierre Spengler, né le 5 juin 1947, est un producteur français de cinéma. Biographie. Pierre Spengler commence à travailler dans l'industrie cinématographique en 1964. Il s'associe aux productions Salkind entre 1972 et 1985.

  5. En 1973, Ilya Salkind, Alexander Salkind y Pierre Spengler compraron los derechos cinematográficos del personaje de Superman. Después de numerosos guiones y años de desarrollo, Richard Donner fue contratado como su director, filmando Superman (1978) y Superman II (1980) simultáneamente.

  6. Pierre Spengler Biography. A longtime veteran on the international film scene, Pierre Spengler began his career in 1964. Within a few years, he was actively producing movies for the Salkind Organization, a production house run by several generations of the namesake family.

  7. Oswald Spengler (Blankenburg, 29 de mayo de 1880-Múnich, 8 de mayo de 1936) fue un filósofo e historiador alemán, cuyos intereses incluían las matemáticas, la ciencia y el arte y las relaciones de éstas con su teoría orgánica de la historia.