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Hermeticism in poetry, or hermetic poetry, is a form of obscure and difficult poetry, as of the Symbolist school, wherein the language and imagery are subjective, and where the suggestive power of the sound of words is as important as their meaning.
Hermeticism, modernist poetic movement originating in Italy in the early 20th century, whose works were characterized by unorthodox structure, illogical sequences, and highly subjective language. Although it influenced a wide circle of poets, even outside Italy, it remained inaccessible to the larger public.
Hermeticism or Hermetism is a philosophical and religious system based on the purported teachings of Hermes Trismegistus (a Hellenistic conflation of the Greek god Hermes and the Egyptian god Thoth).
Hermetism: A Definition. “Hermetism” (adjective: “hermetic”) has two complementary meanings. First, it designates the works known as the Hermetica, written in Greek at the dawn of our era in the region of Alexandria. The term “Alexandrian Hermetism” is often used to refer to these works, which deal with matters such as cosmology ...
Arabic magical Hermetica. 14th-century Arabic manuscript of the Cyranides. The Kitāb al-Isṭamākhīs, Kitāb al-Isṭamāṭīs, Kitāb al-Usṭuwwaṭās, Kitāb al-Madīṭīs, and Kitāb al-Hādīṭūs, also known as the Pseudo-Aristotelian Hermetica, are a number of closely related and partially overlapping texts.
El hermetismo es una filosofía del conocimiento de Dios, una alianza entre sabiduría y piedad que se vale de la experiencia revelatoria y el ritual teúrgico para alcanzar la sabiduría divina. Para los hermetistas, la filosofía solo consiste en el esfuerzo por conocer a Dios mediante la contemplación y la santa piedad.
12 de abr. de 2024 · Hermeticism. Giuseppe Ungaretti (born Feb. 10, 1888, Alexandria—died June 1, 1970, Milan) was an Italian poet, founder of the Hermetic movement ( see Hermeticism) that brought about a reorientation in modern Italian poetry. Born in Egypt of parents who were Italian settlers, Ungaretti lived in Alexandria until he was 24; the desert ...
