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  1. 27 de feb. de 2014 · La exposición itinerante internacional "Die gute Form" fue concebida por Max Bill en nombre del Swiss Werkbund y fue presentada por primera vez en 1949 en la feria de Basel Mustermesse.

  2. 23 de jun. de 2016 · In 1949, Bill hosted a controversial exhibit—aptly titled “Die gute Form”—where he sought to define “good design” to the growing post-war consumer generation. In the years to come, this would be a crusade of sorts for Bill, and in 1953, he founded the Ulm School of Design in Germany to teach his own design philosophy ...

    • Sean Lorentzen
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  3. La Gute Form (Buena Forma) fue una corriente estética que partía de la consideración formal de los productos en relación con su propia estética, lo que llevaba a la búsqueda de formas honestas libres de invenciones para vender o productos sujetos a modas. [1]

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    Controller for the purposes of the General Data Protection Regulation (GDPR), other data protection laws applicable in Member states of the European Union and other provisions related to data protection is: Stiftung Deutsches Design Museum c/o Rat für Formgebung Julia Kostial Friedrich-Ebert-Anlage 49 60327 Frankfurt am Main Deutschland +49 69 24 7...

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  4. Organizó la exposición "Die gute industrieform", que pretendía fomentar la alta calidad de los objetos de diseño industrial. En 1951 fundó junto a Inge Scholl y Otl Aicher, la Hochschule für Gestaltung en Ulm, Alemania (HfG Ulm), una escuela de diseño que continuaba la tradición de la Bauhaus.

    • Swiss
    • Winterthur, Switzerland
  5. 7 de oct. de 2012 · This small catalog from 1957 by Max Bill (whose diminutive byline exemplifies his typographic minimalism) titled “Die gute Form” (Good Design) was produced for Schweizer Mustermesse in Basel (MUBA), an international trade show (Mustermessse) of watches and jewelry, and Zentralvorstand des Schweizerischen Werkbundes (The Swiss ...

  6. Max Bill 100 & ‚Die gute Form’ (good design) Text by Architonic. Switzerland. 16.12.08. 'Max Bill 100' is the title of an exhibition at 'Haus Konstruktiv' in Zurich (until 22.3.09) dedicated to the work of Max Bill, the internationally known artist, architect and product designer.