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Trinity always has two Organ Scholars in residence who play a key role assisting the Director of Music and Clergy in the day-to-day running of the Choir and Chapel. Graduating Trinity Organ Scholars are superbly equipped for life as a professional musician; our illustrious list of former Organ Scholars includes many leading directors ...
Organ Scholars at Trinity are fortunate to learn with three eminent organists who also have wide professional experience as recitalists, accompanists and Directors of Music. Organ Scholars also receive voice lessons from our > singing teachers.
Today, Cecilia Osmond is in constant demand as an oratorio soloist, with recent performances including Mozart’s Requiem (King’s College Choir Cambridge/Stephen Cleobury), Orff’s Carmina Burana (Royal Albert Hall/Sir David Willcocks) and J S Bach’s Matthäus-Passion (BWV 244) (Florilegium/David Hill).
Recordings of Baroque and 20th century repertoire have enabled collaborations with the Academy of Ancient Music, the Orchestra of the Age of Englightenment, Britten Sinfonia and City of London Sinfonia, and with soloists including Susan Gritton, Emma Kirkby, Iestyn Davies, Allan Clayton, James Gilchrist, Thomas Hobbs, Matthew Brook, Neal Davies
Angel-voices ever singing (Monk/'Angel Voices') | The Choir of Trinity College Cambridge. Voted the fifth best choir in the world in Gramophone magazine’s ‘20 Greatest Choirs’, the Choir of...
Choral Scholars and Volunteers and Organ Scholars all receive six free singing lessons per term from one of our experienced and highly-respected singing teachers. All of our singing teachers are accomplished singers in their own right with a wealth of professional experience as soloists and ensemble singers.
In essence a mini-oratorio, Wesley’s setting features the soloists both individually and combined, in addition to the choir and a characterful part for organ. A rumbling fugue is impressively marshalled by Layton, and Sumei Bao-Smith’s gleaming soprano adorns the peaceful coda.
