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Leisen died of heart disease in 1972, aged 74. His grave is located in Chapel of the Pines Crematory. [5] Awards. He garnered his sole Academy Award nomination in 1930 for Art Direction for Cecil B. DeMille 's Dynamite. [6] . He directed Hold Back the Dawn (1941), which was nominated for the Academy Award for Best Picture .
Mitchell Leisen murió de un ataque al corazón en 1972 a la edad de 74 años. Leisen tiene una estrella en el Paseo de la Fama de Hollywood: está situada en el 6233 de Hollywood Boulevard. Filmografía. Fred MacMurray y Carole Lombard en una foto publicitaria de la película de 1935 Candidata a millonaria. Premios y distinciones. Premios Óscar.
Título En EspañolTítulo OriginalAñoCradle Song1933Death Takes a Holiday1934Murder at the Vanities1934Behold My Wife1934He was a director and art director, known for Death Takes a Holiday (1934), The Mating Season (1951) and Hold Back the Dawn (1941). He was married to Stella Yeager. He died on 28 October 1972 in Woodland Hills, Los Angeles, California, USA.
- January 1, 1
- Menominee, Michigan, USA
- January 1, 1
- Woodland Hills, Los Angeles, California, USA
7 de may. de 2024 · Mitchell Leisen (born October 6, 1898, Menominee, Michigan, U.S.—died October 28, 1974, Los Angeles, California) was an American costume designer, art director, and film and television director. He was considered a “woman’s director” by dint of the affinity he demonstrated for actresses.
- Michael Barson
La muerte de vacaciones es una película dirigida por Mitchell Leisen con Fredric March, Evelyn Venable, Guy Standing, Katharine Alexander .... Año: 1934. Título original: Death Takes a Holiday.
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- Estados Unidos
- Charles Lang (B&W)
- Mitchell Leisen
La muerte de vacaciones - ver online: por stream, comprarlo o rentarlo. Actualmente, usted es capaz de ver "La muerte de vacaciones" streaming en Filmin.
20 de oct. de 2005 · When Mitchell Leisen died at the Motion Picture Country Home in 1972, both he and his films were largely forgotten. One of a host of old-style Hollywood directors who had not been rediscovered, re-interpreted or (in some cases) recreated as an auteur by Cahiers du cinéma, Leisen was remembered – grudgingly – as a minor artisan.
