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Robert Morris’s deceptively simple sculpture Untitled (L-Beams) presents us with a subtle perceptual puzzle. Although its three elements are identical in shape, they appear different from one another based on their varying orientations.
6 de dic. de 2023 · By placing two eight-foot fiberglass “L-Beams” in a gallery space (often, he showed three), Morris demonstrated that a division existed between our perception of the object and the actual object. While viewers perceived the beams as being different shapes and sizes, in actuality, they were the same shape and of equal size.
Robert Morris, Untitled (L-Beams), originally plywood, later versions made in fiberglass and stainless steel, 8 x 8 x 2 feet, 1965. By placing two eight-foot fiberglass “L-Beams” in a gallery space (often, he showed three), Morris demonstrated that a division existed between our perception of the object and the actual object.
El curador Scott Rothkopf habla sobre Untitled (L-Beams) (1965) del artista Robert Morris, a la vista en la exposición Singular Visions.
27 de oct. de 2011 · In this video, curator Scott Rothkopf discusses the artist Robert Morris's Untitled (L-Beams) (1965), on view in the exhibition Singular Visions.
- 3 min
- 17.9K
- Whitney Museum of American Art
28 de nov. de 2018 · In the mid-1960s, Morris created some of the key exemplars of Minimalist sculpture: enormous, repeated geometric forms, such as cubes and rectangular beams devoid of figuration, surface texture, or expressive content.
‘Untitled (L-Beams)’ was created in 1965 by Robert Morris in Minimalism style. Find more prominent pieces of sculpture at Wikiart.org – best visual art database.
