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9 de dic. de 2020 · Famous works. Added: 27 Mar, 2024. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Female Artist’ was created in 1910 by Ernst Ludwig Kirchner in Expressionism style.
- Cake-Walk
‘Cake-Walk’ was created by Ernst Ludwig Kirchner in...
- Bathers on the Lawn
‘Bathers on the Lawn’ was created by Ernst Ludwig Kirchner...
- Double Self-Portrait
‘Double Self-Portrait’ was created by Ernst Ludwig Kirchner...
- Fashion
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- Female-portraits
Female-portraits Tags Featured Portrait of a Young Woman...
- Cake-Walk
Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art.
11 de nov. de 2019 · Ernst Ludwig Kirchner, Seated Woman (Dodo), 1907. Yet, it’s through the nude that we can clearly see him playing with both tradition and innovation. His Seated Nude in Blue and Orange from 1909-10, portrays his then-girlfriend Doris Grosse, whom he affectionately called Dodo.
Ernst Ludwig Kirchner was a leading force behind the Expressionist movement in Germany. Since 1913, his work has gained international recognition, extending its popularity into America. His art captures German culture at a critical point in pre-World War I history.
- German
- May 6, 1880
- Aschaffenburg, Bavaria
- June 15, 1938
Ernst Ludwig Kirchner Piper (Aschaffenburg, Alemania, 6 de mayo de 1880 - Frauenkirch, Suiza, 15 de junio de 1938) fue un pintor alemán y uno de los representantes más importantes del expresionismo pictórico.
His depiction of the Women at Potsdamer Platz can thus be regarded as a modern (and prophetic) counterpart to the vanitas paintings of an earlier age. Details. Title: Women at Potsdamer Platz....
Fränzi ante una silla tallada - Kirchner, Ernst Ludwig. Museo Nacional Thyssen-Bornemisza. El estilo expresionista del grupo alemán Die Brücke, caracterizado por la simplificación formal y el uso arbitrario del color, encuentra uno de sus mejores ejemplos en el retrato de esta muchacha del barrio obrero de Friedrichstadt de Dresde.
