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Leni hizo su debut como director con El legado tenebroso (1927), una adaptación de la obra de teatro de John Willard "El gato y el canario". Esta película tuvo una gran influencia en las clásicas series de terror de Universal, y posteriormente fue rehecha en varias ocasiones, especialmente en 1939, con Bob Hope .
Paul Leni (born Paul Josef Levi; 8 July 1885 – 2 September 1929) was a German filmmaker and a key figure in German Expressionism, making Hintertreppe (1921) and Waxworks (1924) in Germany, and The Cat and the Canary (1927), The Chinese Parrot (1927), The Man Who Laughs (1928), and The Last Warning (1928) in the United States.
El hombre que ríe es una película muda estadounidense de 1928 dirigida por el cineasta expresionista alemán Paul Leni. Una adaptación de la novela homónima de Victor Hugo , esta protagonizada por Conrad Veidt como Gwynplaine y Mary Philbin como Dea.
Paul Leni (1885 - 1929) fue un director de Alemania conocido por El hombre que ríe, El legado tenebroso, El hombre de las figuras de cera, Rebus-Film nº 1 (C), Escalera de servicio, El teatro siniestro, Rosas y espinas, The Diary of Dr. Hart, El loro chino y Mania.
El hombre de las figuras de cera es una película dirigida por Paul Leni, Leo Birinsky con Emil Jannings, Conrad Veidt, Werner Krauss, William Dieterle .... Año: 1924. Título original: Das Wachsfigurenkabinett (Three Wax Men).
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- Alemania
- Helmar Lerski (B&W)
- Paul Leni,, Leo Birinsky
The Man Who Laughs is a 1928 American synchronized sound romantic drama film directed by the German Expressionist filmmaker Paul Leni. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both sound-on-disc and sound-on-film processes.
Waxworks (1924) by Paul Leni. A young nameless poet (Dieterle) enters a wax museum where the proprietor works in the company of his daughter Eva (Olga Belajeff). The proprietor hires the poet to write a back-story for his wax models of Harun al-Rashid (Jannings), Ivan the Terrible (Veidt), and Jack the Ripper (Krauss) in order to ...
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