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Frottage is a surrealist and ‘automatic’ method of creative production that involves creating a rubbing of a textured surface using a pencil or other drawing material. Max Ernst. The Entire City (1934) Tate. © ADAGP, Paris and DACS, London 2024. The technique was developed by Max Ernst in drawings made from 1925.
Una de las técnicas más destacadas de Max Ernst es el frottage, que consiste en frotar un lápiz o un crayón sobre una superficie texturizada para crear un efecto visual único. Esta técnica le permitía a Ernst explorar las formas y texturas que emergían de manera espontánea, lo que contribuyó a la creación de paisajes surrealistas y ...
Fue ideado por el pintor surrealista Max Ernst en 1925. Esta técnica se basa en reproducir la textura de diferentes objetos con resultados en muchos casos sorprendentes sobre el papel; por ejemplo: una moneda, una hoja seca de árbol, etcétera; frotando con una barra de color, un lápiz de grafito o de colores, con ceras, u otros materiales ...
Frottage. Max Ernst started using the frottage technique in his work in 1925. As some might still recall from their childhood days, this technique involves laying a piece of paper on a structured surface and making a rubbing of its texture with a pencil.
Max Ernst experimented with the technique of frottage, or rubbing, as a way to probe the subconscious mind. He created these images by placing paper atop various materials—wood floorboards, lengths of twine, wire mesh, crumpled paper, crusts of bread—then rubbing the surface with a pencil or crayon.
Ernst called his process frottage (French for “rubbing”) and claimed it as a form of Surrealist automatism, whereby an artist attempts to let the unconscious guide his hand in the creation of an image.
Max Ernst. A key member of first Dada and then Surrealism in Europe in the 1910s and 1920s, Max Ernst used a variety of mediums—painting, collage, printmaking, sculpture, and various unconventional drawing methods—to give visual form to both personal memory and collective myth.
