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  1. 22 de jul. de 2020 · Throughout his career, Miklós Rózsa led an artistic “double life” between concert music and film scoring. On Monday, we heard Rózsa’s high-flying Violin Concerto. Now, let’s listen to excerpts from eight of his most celebrated film scores: Ben-Hur (1959)

  2. Miklós Rózsa (Budapest, 18 de abril de 1907 - Los Ángeles, 27 de julio de 1995) fue un compositor de música sinfónica y cinematográfica, especializado en películas de corte histórico. Nacido en Hungría consiguió la ciudadanía estadounidense.

    Año
    Título Película
    Director
    Tipo De Obra
    1937
    El delator anónimo ( The Squeaker)
    Música de película
    1937
    Pánico en la banca ( Thunder in the ...
    Música de película
    1937
    La condesa Alexandra ( Knight without ...
    Música de película
    1937
    The Green Cockatoo
    Música de película
  3. Miklós Rózsa (Hungarian: [ˈmikloːʃ ˈroːʒɒ]; April 18, 1907 – July 27, 1995) was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward.

  4. 18 de mar. de 2008 · The very best film scores from top Hungarian composer Miklós Rózsa. Buy the CD's of Miklós Rózsa!

    • 10 min
    • 116.6K
    • benydebney
  5. 17 de nov. de 2022 · Allegro vivace ( 19:00 ) Performers: Jascha Heifetz (violin) Walter Hendl / Dallas Symphony Orchestra. This concerto has 3 movements:I. Allegro non troppo ma passionatoII. Lento cantabile (11:26 ...

    • 27 min
    • 2.7K
    • Quinone Bob
  6. For “El Cid”, starring Charlton Heston as the legendary Spanish hero, Rózsa composed a miracle of a score. The outcome is nothing less than masterful, an unforgettable piece of symphonic film music, one of the greatest ever composed that comes from the heart and genius of Miklós Rózsa.

  7. While writing the score for The Thief of Bagdad (1940), Rózsa relocated to Hollywood where he remained gainfully employed over the next four decades. An expert at orchestration and counterpoint with a great flair for the dramatic, he often concentrated on the psychological aspects of a film.