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Sophia Margaret " Sophie " Gray (28 October 1843 – 15 March 1882), later Sophia Margaret Caird, was a Scottish model for her brother-in-law, the Pre-Raphaelite painter John Everett Millais. She was a younger sister of Euphemia "Effie" Gray, who married Millais in 1855 after the annulment of her marriage to John Ruskin.
Las dos chicas de la izquierda, para las que posaron las cuñadas de Millais, Alice y Sophie Gray, [3] están retratadas con ropa de clase media de la época; los dos de la derecha están vestidas con ropa más áspera y humilde, de clase trabajadora sirviendo como modelo probablemente niñas del barrio obrero cercano a la casa de los Millais ...
También destaca su pintura Hojas de otoño (1856), donde retrató a sus cuñadas Alice y Sophie Gray. Fue exhibida por primera vez en la Royal Academy en 1856, donde John Ruskin, gran crítico de la época, la definió como "La perfección de un crepúsculo".
Sophia Margaret " Sophie " Gray (28 October 1843 – 15 March 1882), later Sophia Margaret Caird, was a Scottish model for her brother-in-law, the Pre-Raphaelite painter John Everett Millais. She was a younger sister of Euphemia "Effie" Gray, who married Millais in 1855 after the annulment of her marriage to John Ruskin.
Sophia Margaret " Sophie " Gray (28 October 1843 – 15 March 1882), later Sophia Margaret Caird, was a Scottish model for her brother-in-law, the Pre-Raphaelite painter John Everett Millais. She was a younger sister of Euphemia "Effie" Gray, who married Millais in 1855 after the annulment of her marriage to John Ruskin.
Plot. In a pre-credit sequence Euphemia "Effie" Gray is seen walking through a garden speaking to her younger sister, Sophie, about a fairy story in which a girl married a man with wicked parents. The marriage of Euphemia "Effie" to the prosperous art critic and philosopher John Ruskin in Perth, Scotland is seen.
Effie Gray Drama based on a true story. When young Effie Gray becomes the wife of John Ruskin, it soon becomes apparent that Ruskin regards her as a muse rather than a wife.
