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The Fright of Real Tears: Krzysztof Kieślowski Between Theory and Post-Theory is a 2001 book by the Slovenian philosopher Slavoj Žižek which uses free associative film interpretation to tangentially examine the films of Polish director Krzysztof Kieślowski while avoiding the debate between cognitive film theory and psychoanalytic film theory.
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The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory
Traducción del libro de Slavoj Zizek, publicado en 2001 por el British Film Institute, "The Fright of Real Tears:Krzysztof Kieslowski Between Theory and Post-Theory". La traducción se publicó por Paradiso Editores y la Universidad Iberoamericana en 2020. Aquí están la portada, hoja legal, índice y contraportada.
The Fright of Real Tears is also uniquely placed in terms of what it uses as the texts for driving home the merits of the pure Lacanian approach. The films of Krzysztof Kieslowski provide the contexts for Žižek to embark on his mission to redeem the Lacanian approach even as he endeavours to redeem the works of Kieslowski in the process.
1 de mar. de 2002 · PDF | On Mar 1, 2002, Murat Akser published The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory | Find, read and cite all the research you need on ResearchGate
Product details. About the contributors. Author. Slavoj Žižek is a Hegelian philosopher, a Lacanian… In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory, arguing that the reading of Lacan operative in…
