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Oja Kodar és una actriu, guionista i directora de cinema croata, coneguda per ser parella d'Orson Welles durant els darrers anys de la seva vida. Personal [ modifica ] Nascuda com a Olga Palinkaš a Zagreb de pare hongarès i mare croata, Kodar va ser sòcia i amant d'Orson Welles durant els últims anys de la seva vida.
4 de may. de 2018 · On the set of The Other Side of the Wind, 1970s. Clockwise from top left, Norman Foster, Peter Bogdanovich, Bill Weaver, Oja Kodar, Orson Welles and Frank Marshall ...
8 de nov. de 2020 · Kodar korediteljka i koscenaristkinja. Prvi film na kojem je Oja Kodar potpisana kao koscenaristkinja i korediteljka je francusko-iransko-zapadnonemački dokumentarni film iz 1973. godine Istine i laži, prevođen i kao F kao falsifikat (u originalu na engleskom F for Fake i na francuskom Vérités et Mensonges).
Afterword to THE BIG BRASS RING, A Screenplay by Orson Welles (with Oja Kodar) Published with the screenplay by Santa Teresa Press in the fall of 1987, and reprinted in my 2007 collection Discovering Orson Welles (along with the introductory paragraphs that follow, tweaked and abridged somewhat). The photograph of Welles’s typewriter ...
2 de nov. de 2018 · The Other Side of the Wind: Directed by Orson Welles. With John Huston, Oja Kodar, Peter Bogdanovich, Susan Strasberg. At a media-swamped party to celebrate his 70th birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.
23 de jun. de 1986 · Oja Kodar, la actriz yugoslava compañera y colaboradora de Orson Welles durante más de 20 años, desea concluir algunos de los filmes inacabados del cineasta desaparecido.
23 de ago. de 2021 · Oja Kodar in F for Fake (1973) One of the more memorable moments in F for Fake (Orson Welles, 1973) has seemingly little to do with the main plot about Elmyr de Hory and art forgeries. Toward the beginning of the film, Oja Kodar walks along the street in a mini-dress, and a slew of men ogle her as she passes.
