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  1. RCIN 453428. Lady Elizabeth Bowes-Lyon’s mother, Nina Cecilia Cavendish-Bentinck, married Claude Bowes-Lyon (the Earl of Strathmore from 1904) in 1881. They had ten children, of whom Elizabeth was the penultimate child and youngest daughter. Lady Strathmore had a close relationship with her children, and she taught the youngest ones to read ...

  2. He was well known for his small and witty drawings of buildings and figures, many of which he presented to Queen Elizabeth The Queen Mother. His watercolours of her London home, Clarence House, and his interior view of the Saloon at Royal Lodge, were both 90th birthday presents.

  3. Late in his life, when he had virtually given up painting portraits, he nonetheless produced a large number of charcoal portrait drawings. Lady Elizabeth Bowes-Lyon and the Duke of York both sat for Sargent shortly before their marriage, which took place in April 1923.

  4. The American painter John Singer Sargent, who settled in London in 1886, was renowned for his dazzling paintings of society beauties, artists, writers and statesmen. Late in his life, when he had virtually given up painting portraits, he nonetheless produced a large number of charcoal portrait drawings. Lady Elizabeth Bowes-Lyon and the Duke of ...

  5. On the King's death in 1952 Queen Elizabeth, now the Queen Mother, returned to Royal Lodge and Birkhall. She purchased the Castle of Mey in Caithness as a private residence, and Clarence House became her London home. Throughout her life the Queen Mother collected watercolours and drawings both of her official and her private residences.

  6. Late in his life, when he had virtually given up painting portraits, he nonetheless produced a large number of charcoal portrait drawings. Lady Elizabeth Bowes-Lyon and the Duke of York both sat for Sargent shortly before their marriage, which took place in April 1923.

  7. Soon after the accession of King George VI in 1936, Queen Elizabeth began to form a small but well-chosen collection of eighteenth and early nineteenth-century British watercolours and drawings. A number of works, such as those by Thomas Gainsborough and John Varley, reflect her wider interest in the landscape tradition.