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His final decade was plagued by serious illness. Vincente Minnelli - Film Director, Musicals, 1950s: Minnelli’s next film was the psychological drama The Cobweb (1955), which starred Richard Widmark, Lauren Bacall, Gloria Grahame, Lillian Gish, and Oscar Levant. In a private mental institution, the selection of new drapes for the library ...
Best Vincente Minnelli Movies. Vincente Minnelli was a master of Hollywood musicals and dramas, known for his vibrant use of color, design, and music. His films are still beloved today for their memorable characters, powerful performances, and imaginative storytelling. 1. The Bad and the Beautiful (1952)
26 de jul. de 1986 · Vincente Minnelli, whose deft intermingling of song, dance and plot made him one of the greatest directors of Hollywood musicals, died in his sleep at his home in Los Angeles last night. He was 76 ...
In his time, Vincente Minnelli was known as a great fantasist. Which is true enough. But the films he made without any fantasy elements whatsoever—like The Clock or The Bad and the Beautiful—are just as hallucinatory as anything in The Pirate or Ziegfeld Follies. Everything is grounded in a complete encompassing vision.
Vincente Minnelli (Chicago, 28 de febrer de 1903 - Beverly Hills, 25 de juliol de 1986) fou un director de cinema estatunidenc. Inicis [ modifica ] Lester Anthony Minnelli va néixer a Chicago (Illinois), [1] i va ser l'últim fill supervivent de la parella de Mina Mary LaLouette Le Beau i Vincent Charles Minnelli.
22 de abr. de 2004 · Vincente Minnelli was fond of words like “beauty” and “magic”. They crop up in interviews and in his autobiography, to the point where these words become an aesthetic principle or even a philosophy from a director otherwise notoriously incapable of being articulate about his own work: “The search in films, what you try to create, is a little magic.”
9 de dic. de 2019 · Beginning work at the studio in 1940 under famed musical producer Arthur Freed, Minnelli put his theatre background to use and became best known for his top-tier classics in the musical genre – Meet Me in St. Louis (1944) and An American in Paris (1951). Wholesome but not puritanical, all-American without chest-thumping, and laced with enough ...
