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2 de ago. de 2021 · Antonio Pesne: Margrave Christian Ludwig of Brandenburg-Schwedt (1710) Despite their spurning by the Margrave, the concertos are an important development in the German history of the concerto. They follow the lead of Vivaldi in that they aren’t a small group of instruments versus a larger group of instruments (as in a concerto grosso ) but are all based on various solo combinations.
Margrave Christian Ludwig of Brandenburg-Schwedt. Christian Ludwig ( 14 March 1677 – 3 September 1734) was a margrave of Brandenburg and a military officer of Brandenburg - Prussia ' s Hohenzollern dynasty. The title of Margrave of Brandenburg was given to princes of the Prussian royal house and did not express a territorial or allodial status.
Christian Ludwig of Brandenburg was wealthy despite being the younger son in the royal family. He was the owner of large estates near Berlin (Malchow and Heinersdorf). At that time, Berlin was the capital of the Hohenzollern dynasty. Christian Ludwig bore the title Margrave of Brandenburg, just like all other members of the Prussian ruling family.
Karl Friedrich Albrecht, Margrave of Brandenburg-Schwedt (10 June 1705 – 22 June 1762), a grandson of Frederick William of Brandenburg ( the Great Elector) and son of Margrave Albert Frederick of Brandenburg-Schwedt, was a Prussian military officer and the Herrenmeister ( grand master) of the Order of Saint John (Bailiwick of Brandenburg). [1]
Christian Ludwig of Brandenburg, for whom Bach copied the concertos, portrayed by Antoine Pesne in 1710. The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier).
Engraving of Christian Ludwig, Margrave of Brandenburg-Schwedt. Half length with curled wig, plain tie, armour, sash, and mantle edged in ermine. Oval with German inscription on entablature below. Cut down.
