Resultado de búsqueda
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991).
Jacques Rivette a PORT.hu-n (magyarul) Jacques Rivette az Internet Movie Database-ben (angolul) Jacques Rivette a Rotten Tomatoeson (angolul) Andra Petrescu: Jacques Rivette feminista meséi (magyar nyelven). Filmtett. (Hozzáférés: 2017. szeptember 21.)
29 de ene. de 2016 · Cinema Guild. By Dave Kehr. Jan. 29, 2016. Jacques Rivette, a French director whose challenging and often enigmatic work was revered by film aficionados, died on Friday at his home in Paris. He ...
Themes and style in the works of Jacques Rivette. Jacques Rivette ( French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'amour fou (1969), Out 1 (1971), Celine and ...
Jacques Rivette's next half a dozen or so films are something of a mixed bag, lacking both the innovation of his early films and any real commercial interest. The most interesting is Le Pont du Nord (1982), a completely plotless variation on the mystery-thriller theme which has some superficial similarities to Céline et Julie vont en bateau , once again dispelling the myth that our lives can ...
París nos pertenece es una película dirigida por Jacques Rivette con Betty Schneider, Giani Esposito, Françoise Prévost, Daniel Crohem .... Año: 1961. Título original: Paris nous appartient. Sinopsis: Una estudiante de literatura acude a una fiesta. Allí conoce a un americano y a un director de teatro. Tras la fiesta, su vida ya no será ...
29 de ene. de 2016 · January 29, 2016. Jacques Rivette, photographed in Paris, April, 1995. Photograph by Claudine Doury / Agence VU / Redux. Jacques Rivette, who died today, at the age of eighty-seven, was both the ...
