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  1. Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism.

  2. 5 de dic. de 2023 · Luchino Visconti. 05/12/2023 - 13/01/2024. Aristòcrata i comunista, homosexual i catòlic... La vida del director d’òpera, de teatre i de cinema Luchino Visconti (Milà, 1906 - Roma, 1976) va ser paradoxal en si mateixa. Això no obstant, aquestes suposades contradiccions el van enriquir i van ser el motor de la seva obra.

  3. 11. Le Notti Bianche (1957) “Le Notti Bianche” is a 1957 Italian film directed by Luchino Visconti and starring Marcello Mastroianni and Maria Schell. The film is a romantic drama that tells the story of a young man who falls in love with a woman he meets one night in the city, and the emotional journey that follows.

  4. Hrabě Luchino Visconti, rodným jménem Conte Don Luchino Visconti di Modrone ( 2. listopadu 1906 Milán – 17. března 1976 Řím) byl italský filmový režisér a scenárista, jeden z největších poválečných filmových tvůrců. V jeho umění se proplétá smysl pro výtvarnou krásu s láskou k realismu v nejpřísnější a ...

  5. 7 de jun. de 2018 · June 7, 2018. Among the Italian filmmakers who achieved international prominence in the decades after World War II, Luchino Visconti possessed perhaps the sharpest historical insight and the ...

  6. Luchino Visconti. Director. en. Muerte en Venecia (1971) El gatopardo (1963) Rocco y sus hermanos (1960) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones, listas y críticas ...

  7. Luchino and his siblings would have to wake up at 5:30am everyday, even during winter time, to follow their oppressive tutoring. Years later, actress Silvana Mangano, who had been cast to play the mother of the beautiful Tadzio in Death in Venice (1971), would recall how Visconti kept testing her ability to handle the veil of her costume to see if she could wear it as elegantly as his mother.

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