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Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors--Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak.
Robert Siodmak, Edgar G. Ulmer, Curt Siodmak Documental, Intervenciones de: Brigitte Borchert , Christel Ehlers , Wolfgang von Waltershausen , Annie Schreyer , Erwin Splettstösser Más sobre Edgar G. Ulmer
Long overshadowed by the more celebrated careers of his fellow Austrian- and German-born peers, the work of Edgar G. Ulmer—ranging from daring and original horror films and B-pictures of diverse genres to powerful Yiddish features and film noir classics like Detour (1945)—is finally receiving a new wave of critical appreciation over four decades after his death.
Ulmer told Bogdanovich that during this period that documentarian Pare Lorentz dubbed him “the director of the minorities”; an ad in one of the trades simply read: “Edgar G. Ulmer, Director: 723 Seventh Avenue.”
Department. From Wikipedia, the free encyclopedia. Edgar Georg Ulmer (September 17, 1904 – September 30, 1972) was an Austrian-American film director. He is best remembered for the movies The Black Cat (1934) and Detour (1945). These stylish and eccentric works have achieved cult status, whereas Ulmer's other films remain relatively unknown.
xml. Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak.
CARNEGIE HALL, Edgar G. Ulmer directing Artur Rubenstein, on set, 1947 THE STRANGE WOMAN, director Edgar G. Ulmer, Jo Ann Marlowe on set, 1946 See all photos Filmography
