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  1. 21 de sept. de 2023 · Princess Cecilia of Sweden's Early Life. Princess Cecilia of Sweden was the youngest child of King Gustaf IV Adolf of Sweden from the House of Vasa (1778-1837) and Princess Frederica of Baden (1781-1826). Through her paternal line, she was a great-granddaughter of Britain's King George II (1683-1760) and Caroline of Ansbach (1683-1737).

  2. Cecilia Vaasa ( 6. marraskuuta 1540 Tre Kronor -linna, Tukholma, Ruotsi – 27. tammikuuta 1627 Bryssel, Yhdistyneet provinssit) oli Ruotsin kuninkaan Kustaa Vaasan ja hänen toisen vaimonsa Margareeta Leijonhufvudin tytär. Kaikista Kustaa Vaasan lapsista Cecilia oli neljänneksi vanhin. Hän oli tunnettu kauneudestaan.

  3. Cecilia Vasa One of Gustav's daughters, Cecilia Vasa, is said to have lived a wild and sinful life. According to the legend, she came into disfavor with the court, and it is said that her spirit is still wandering in the castle ruins.

  4. 18 de mar. de 2024 · Cecilia Vasa did well and married Margrave Kristoffer II of Baden-Rodemachen five years later. Regarding adventure and scandal, the Vadstena Rumble was just the beginning. But all this chaos and disappointment in his children took a toll on her father, and during the spring, his health steadily deteriorated.

  5. Abstract This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565 with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s ...

  6. Cecilia Vasa.PNG 250 × 309; 211 KB Jan Tęczyński-Cecylia Waza.jpg 564 × 312; 105 KB Okänd kvinna, tidigare kallad Cecilia Vasa, 1540-1627, prinsessa av Sverige markgrevinna av Ba - Nationalmuseum - 15111.tif 3,170 × 4,029; 36.57 MB

  7. Abstract This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565 with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s ...