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Georges Braque ( BRA (H)K, French: [ʒɔʁʒ bʁak]; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism.
9 de may. de 2024 · Georges Braque (born May 13, 1882, Argenteuil, France—died August 31, 1963, Paris) was a French painter, one of the important revolutionaries of 20th-century art who, together with Pablo Picasso, developed Cubism. His paintings consist primarily of still lifes that are remarkable for their robust construction, low-key colour harmonies, and ...
2 de abr. de 2014 · Georges Braque was a French painter born on May 13, 1882, in Argenteuil, France. He spent his childhood in Le Havre and planned to follow in the footsteps of his father and grandfather by becoming ...
1 de ene. de 2024 · In 1912, Georges Braque invented papier collé, or the technique known today as collage, utilizing ready pieces of paper, newsprint, wallpaper, and other sources to create a composition. This pushed Cubism into its next phase, known as Synthetic, where the focus was not on breaking the object into its varied viewpoints but on flattening it out to remove any illusion of three-dimensionality.
Georges Braque and his paintings. Born in 1882, Georges Braque was a Parisian painter from the 20th century. He was most well known for being the founder of Cubism alongside famous artist Pablo Picasso. In addition to the invention of Cubism, he did also focus on other forms of art which were prominent during this time period as well.
Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still lifes and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career ...
Georges Braque, “Guitarra”. Óleo sobre tela, 1910 Julián González Gómez El cubismo rompió con todos los esquemas de la representación a base de la perspectiva que habían sido establecidos desde el Renacimiento y eran considerados, hasta su advenimiento, como inamovibles en el ámbito de la pintura y la escultura.
