Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 3 de may. de 2024 · Cosimo deMedici is known for being the founder of one of the main lines of the Medici family that ruled Florence from 1434 to 1537. He was a patron of the arts and humanism and played an important role in the Italian Renaissance.

  2. Hace 5 días · The House of Medici (English: / ˈ m ɛ d ɪ tʃ i / MED-itch-ee, UK also / m ə ˈ d iː tʃ i / mə-DEE-chee, Italian: [ˈmɛːditʃi]) was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici, during the first half of the 15th century.

  3. Hace 3 días · With Cosimo de' Medici's return from exile in 1434, the Florentine Republic remained in place, but Cosimo de' Medici gradually established his de facto power through a subtle strategy of alliances, enabling his most trusted men to control the decision-making bodies while remaining personally aloof from the city government.

  4. 9 de may. de 2024 · Feb. 28, 1621 (aged 30) House / Dynasty: Medici family. Cosimo II (born May 12, 1590—died Feb. 28, 1621) was the fourth grand duke of Tuscany (1609–20), who closed down the Medici family’s practice of banking and commerce, which it had pursued for four centuries.

  5. Hace 6 días · Abandoned at the death of the merchant, the Palace was purchased in 1549 by Eleonora of Toledo, Cosimo I deMedici’s wife as a ceremonial residence worthy of the nascent Grand Duchy. BartolomeoAmmannati, the Grand Duke’s favourite architect, extended the main front and rear sections, and behind the palace the magnificent Italian Boboli Gardens were created.

  6. 14 de may. de 2024 · 0. 1 view 8 hours ago. Step into the opulent world of Renaissance Florence as we unravel the captivating tale of the Medici dynasty, focusing on the remarkable rise of Cosimo de' Medici....

  7. Hace 6 días · The article reconstructs the significance and structure of the theory behind the Medici-Lorraine busts which have been on display in the antiricetto of the Gallery of Statues and Paintings since the 1880’s, each one accompanied by an encomiastic text (from the Latin term elogium) regarding the contribution to the development of the museum and its collections.