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  1. Donatello, David, c. 1440, bronze, 158 cm (Museo Nazionale de Bargello, Florence) (photo: Steven Zucker, CC BY-NC-SA 2.0) The subject of this sculpture is David and Goliath, from the Old Testament. According to the story, Israel (the descendents of Abraham, Isaac and Jacob) is threatened by Goliath, a "giant of a man, measuring over nine feet tall.

  2. en.wikipedia.org › wiki › DonatelloDonatello - Wikipedia

    David at the Bargello in Florence. Donato di Niccolò di Betto Bardi ( c.1386 – 13 December 1466), known mononymously as Donatello ( English: / ˌdɒnəˈtɛloʊ / [2] Italian: [donaˈtɛllo] ), was an Italian sculptor of the Renaissance period. [3] Born in Florence, he studied classical sculpture and used his knowledge to develop an Early ...

  3. David (Donatello) Některá data mohou pocházet z datové položky. David je název dvou soch biblického krále Davida od italského raně renesančního sochaře Donatella. Jedna je rané dílo z mramoru, znázorňující oblečeného hrdinu (1408–09), zatímco druhá, mnohem známější, je bronzový akt vytvořený nejdříve ve 40 ...

  4. www.vam.ac.uk › articles › donatellos-davidDonatello's 'David' · V&A

    Donatello (about 1386 – 1466) created some of the most significant sculptures of the biblical hero David to come out of the Renaissance. While Michelangelo's monumental marble 'David' is perhaps better known today, Donatello's iconic bronze was the first free-standing male nude in this luxurious material since antiquity, doubtless inspiring Michelangelo among other masters.

  5. 26 de ago. de 2020 · Donatello (c. 1386-1466 CE), full name Donato di Niccolo di Betto Bardi, was an Italian Renaissance artist best known for his sculptures such as the striking bronze figure of David now in the Bargello museum of his native Florence. Donatello was influential in popularising the classicizing style where Renaissance artists looked to the surviving ...

  6. Donatello’s work seems to imply that the answer is “no” – the victory was God’s rather than man’s. In any case, Donatello’s David is a classic work of Renaissance sculpture, given its Judaeo-Christian subject matter modeled on a classical sculptural type. It was revolutionary for its day – so much so that it did not get copied ...

  7. Donatello's David, a groundbreaking early Renaissance sculpture, showcases a return to ancient Greek and Roman appreciation for the human body. This bronze masterpiece, featuring a nude David in contrapposto pose, symbolizes Florence's triumph over Milan and the Medici family's connection to the city's greatness.

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