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Written by Filipe Manuel Neto on February 10, 2024. Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the ...
Amerikaanse westernklassieker, met vijftiger Gary Cooper als Will Kane, een gewetensvolle marshall geflankeerd door twintiger Grace Kelly als zijn kersverse bruid. Inleven is eenvoudig, want de lengte van de aanvankelijk gortdroge film is nagenoeg gelijk aan de lengte van het drama. Het begint met hun trouwerij in de ochtend, en bereikt de climax met de aankomst per trein om twaalf uur (High ...
High Noon is all about time. Within its hour and a half run time, it manages to capture a mere hour of a man's life. Time is quickly beating against him with the impending clock, taunting him. This hour is filled with choices that reflect him as a courageous old man who battles the odds despite what everyone thinks and says.
21 de ene. de 2020 · A retired Marshall (Gary Cooper) must defend his town from a vengeful ex-con in HIGH NOON ('52), directed by Fred Zinnemann.Learn more about HIGH NOON ('52) ...
- 2 min
- 20.2K
- Turner Classic Movies
High Noon is a film directed by Fred Zinnemann with Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges .... Year: 1952. Original title: High Noon. Synopsis: A killer that Sheriff Will Kane (Gary Cooper) put away has been let out of the prison and now he and his gang of bad guys are coming to the town of Hadleyville to exact their revenge.
Paul Marquardt. Dimitri Tiomkin. Jean L. Speak. Tex Ritter. Carl Foreman. John W. Cunningham. Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he ...
High Noon is one of the few American films that follow the classic Aristotelian principle of the “classic unities” of time, place and action. The running time of the story almost exactly parallels the running time of the film itself. This effect is heightened by the frequent use of clocks throughout the film that remind the characters—and ...
