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Interior Richard Hamilton. 1964–5. Soft pink landscape Richard Hamilton. 1980. View by appointment. A dedicated follower of fashion Richard Hamilton. 1980.
Richard William Hamilton CH (24 February 1922 – 13 September 2011) was an English painter and collage artist. His 1955 exhibition Man, Machine and Motion (Hatton Gallery, Newcastle upon Tyne) and his 1956 collage Just what is it that makes today's homes so different, so appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, are considered by critics and ...
Discover and collect art from Richard Hamilton’s iconic Interiors series and more. Skip to Main Content. ... Interior with monochromes, 1979. Gutan Fine Art. €4,500.
Colaboración de diferentes agentes y colectivos políticos y culturales internacionales. Confederación de internacionalismo artístico formada por siete museos europeos. Richard Hamilton, Interior II, 1964. Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.
13 de sept. de 2011 · Richard Hamilton, CH (* 24. Februar 1922 in London; † 13. September 2011 in London) war ein britischer Maler und Grafiker. Hamilton besuchte im Jahre 1936 das „Westminster Technical College“ und die Central Saint Martins College of Art and Design und arbeitete 1937 in einer Werbeabteilung sowie im Exhibition Department der Reimann School London.
Directed by: Vincent René-Lortie. Written by: Vincent René-Lortie. Produced by: Samuel Caron. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Interior II’ was created in 1964 by Richard Hamilton in Pop Art style.
Richard Hamilton, CH (24 de Fevereiro de 1922 - 13 de Setembro de 2011) foi um pintor e artista da colagem britânico. Sua colagem de 1956, Just what is it that makes today's homes so different, so appealing?, produzida para This Is Tomorrow exposição do Independent Group em Londres, é considerado por críticos e historiadores como uma das primeiras obras da pop art.
