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This article lists a selection of notable works created by Paul Signac. The listing follows the 2001 book Signac 1863-1935: Master Neo-Impressionist. The collection of paintings by Paul Signac on the French website vasari.fr with its assigned titles, years and catalogue numbers from the catalogue raisonée by Francoise Cachin is used in addition.
Paul Signac. The Port of St. Tropez II, from the seventh album of L’Estampe originale, 1894. Paul Signac. Port Louis-Lomalo, 1922. Paul Signac. The Wreckers, 1896. Paul Signac. In Holland—The Buoy, 1896. Paul Signac.
'Paul Signac was the principal follower of Seurat and also produced a large number of pointillist marine paintings. This luminous work is one of a number of ocean views Signac made during the summer of 1888 at Portrieux, a small seaside resort on the north coast of Brittany.'
Discover and purchase Paul Signac’s artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.
The paintings that Signac entered in the same event used much the same technique. In June 1886, Signac lived for three months in the small Norman town of Les Andelys. He painted a series of ten landscapes there, using the Divisionist technique. Les Andelys; The Riverbank is one of the most important canvases in that series.
Top 10 Signac Paintings Initially viewed as one of the more obscure artists of his era, Paul Signac became a crucial figure within Neo-Impressionism and French art at the turn of the century. Boasting a catalogue of over 500 canvases, he made a significant contribution to the early development of pointillism and modernism, especially in terms of theme and technique.
The Dining Room. Paul Signac was a leading practitioner of Neo-Impressionism, the term given to a group of late-nineteenth century French artists who developed a system of color harmony using an idiosyncratic technique of divided brush marks and stipple-like dots. "The Dining Room" revisits Signac's painting of the same title and subject, shown ...
