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Is this your ancestor? Explore genealogy for Louise (Kéroualle) de Kérouaille born 1649 Manoir de Keroual, Guilers, Léon, Bretagne, France died 1734 Paris, Île-de-France, France including ancestors + descendants + 2 photos + 1 genealogist comments + more in the free family tree community.
Media in category "Portrait paintings of Louise de Keroual". The following 34 files are in this category, out of 34 total. Follower of Lely - Louise de Kérouaille, Duchess of Portsmouth, in a brown gown.jpg 1,165 × 1,418; 355 KB. Godfrey Kneller (1646-1723) - Louise Renée de Penancoët de Kérouaille (1649–1734), Duchess of Portsmouth ...
13 de jun. de 2021 · Portrait paintings of Louise de Keroual; 17th-century portrait paintings in the Royal Collection of the United Kingdom; 1670s oil on canvas paintings in the United Kingdom; 1673 portrait paintings of women; 17th-century oil portraits of standing women at three-quarter length; Arms resting on cushions in portrait paintings; Hurluberlu
12 de ago. de 2021 · Portrait paintings of Louise de Keroual; 17th-century portrait paintings in the National Portrait Gallery, London; 1682 oil on canvas paintings in the United Kingdom; 1682 portrait paintings of women; 17th-century oil portraits of sitting women at three-quarter length; 17th-century portrait paintings of women by title
Louise de Kéroualle, Duchess of Portsmouth. published by Richard Tompson, after Sir Peter Lely mezzotint, 1678-1679 (circa 1671) 13 1/4 in. x 9 7/8 in. (337 mm x 250 mm) plate size, small margins
16 de jun. de 2016 · Portrait of Louise de Keroualle (detail), Duchess of Portsmouth, about 1671–74, Peter Lely. Oil on canvas, 49 1/4 in. × 40 in. J. Paul Getty Museum, 78.PA.223. One thing is certain, that despite the Duchess of Portsmouth’s unpopularity among the people, it was hard for her enemies to oust her as the King’s chief mistress.
1671 - Le faux mariage de Louise de Keroual. L’Histoire maçonnique ne fait pas grand cas de Louise de Keroual, pourtant celle-ci mérite d’être connue à plus d’un titre ; parce que sa vie profane fut des plus « pittoresques », parce qu’elle fut impliquée, directement ou indirectement, dans l’évolution première de la Franc-Maçonnerie moderne.
