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  1. Leçons de ténèbres (Couperin) Leçons de ténèbres. (Couperin) The Leçons de ténèbres à une et à deux voix (" Tenebrae Readings for One and Two Voices ," originally spelled " Leçons de tenébres a une et a deux voix") are a series of three vocal pieces composed in 1714 by François Couperin for the Abbaye royale de Longchamp. [1] [2]

  2. 12 de sept. de 2021 · Title: Tenebrae Responsories for Maundy Thursday Composer: Carlo Gesualdo Number of voices: 6vv Voicing: SSATTB Genre: Sacred, Motet. Language: Latin Instruments: A cappella . First published: 1611 as Part 1 of Responsoria et alia ad Officium Hebdomadae Sanctae spectantia, no. 9.5. Description: The service is divided into three sections, called ...

  3. Some of the most atmospheric music from the numerous Liturgical settings in Holy Week is that composed for the Office of Tenebrae. Victorias are the most well-known, but equally beautiful and arguably more dramatic are the settings composed by Gesualdo and Couperin.

  4. The two settings for the Office of Tenebrae recorded here may be widely divergent in style, but both capture a hypnotic sense of atmosphere. Couperin: Leçons de ténèbres; Gesualdo: Tenebrae Responsories for Maundy Thursday - SIGCD622 - Hyperion Records - MP3 and Lossless downloads

  5. Listen free to François Couperin, Carlo Gesualdo; Tenebrae, Nigel Short – Leçons de Ténèbres; Tenebrae Responsories for Maundy Thursday (Leçons de Ténèbres: Première Leçon, Leçons de Ténèbres: Seconde Leçon and more). 12 tracks (77:00). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.

  6. The two settings for the Office of Tenebrae recorded here may be widely divergent in style, but both capture a hypnotic sense of atmosphere. Couperin: Leçons de ténèbres; Gesualdo: Tenebrae Responsories for Maundy Thursday - SIGCD622 - Hyperion Records - MP3 and Lossless downloads

  7. Some of the most atmospheric music from the numerous Liturgical settings in Holy Week is that composed for the Office of Tenebrae. Victorias are the most well-known, but equally beautiful and arguably more dramatic are the settings composed by Gesualdo and Couperin.