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  1. Im Zeichen des Bösen (Originaltitel: Touch of Evil) ist ein US-amerikanischer Kriminalfilm aus dem Jahr 1958. Er wird dem Genre des Film noir zugeordnet. Regie führte Orson Welles, der nach dem Kriminalroman Unfehlbarkeit kann tödlich sein (Badge of Evil) von Whit Masterson (ein Pseudonym der Autoren Robert Wade und Bill Miller) auch das Drehbuch verfasste.

  2. Download your free blueprint to making a movie or film: https://wolfcrow.com/how-to-make-a-movie-a-complete-blueprint/Camera guides, filmmaking and cinematog...

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  3. 3 de abr. de 2022 · With a crisp black-and-white transfer, Touch of Evil lands on a solid 4K transfer thanks to the crackling efforts of Kino Lorber. Shadows are beyond detailed and, as this is a noir thriller, are thick and atmospheric throughout. Grays are rippled with solid detail, too.

  4. Touch of Evil, American film noir, released in 1958, that was written and directed by Orson Welles, who also costarred in the crime drama. The film was a box-office disappointment, but in later years it was recognized as one of the final gems of the classic film noir period of the 1940s and ’50s.

  5. www.bfi.org.uk › film › 829f71c1-8c9d-5294-b77dTouch of Evil (1958) | BFI

    12 de abr. de 2024 · With its story of murder, marijuana and police corruption, Touch of Evil is considered among the last of the 1940s/50s cycle of crime thrillers known as film noir. Welles’ vivid turn as corpulent bent cop Quinlan provided one of the genre’s most memorable villains. Iniquity south of the border also colours Welles’ prior film noir, The ...

  6. Touch of Evil dissects the nature of good and evil in a hallucinatory, nightmarish ambience, helped by the shadow-laden cinematography of Russell Metty and by the cast, which, along with Tamiroff and Welles includes Charlton Heston as a Mexican; Marlene Dietrich, in a brunette wig, as a brittle madam who delivers the movie's unforgettable closing words; Mercedes McCambridge as a junkie; and ...

  7. 23 de abr. de 2023 · The behind-the-scenes palace intrigue of Touch of Evil constitutes enough dramatic tension to stand as a Welles picture. The 1958 project was theoretically too low-brow for Welles, ...

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