Resultado de búsqueda
14 de may. de 2021 · Miho Hatori widened her musical horizons as a clerk at the used record shop Flash Disc Ranch in Shimokitazawa, Tokyo, discovering everything from bossa nova to heavy metal. “The owner, Mr. Tsubaki, who looks like Frank Zappa, he has really great taste and he had mixtapes,” she reflected in this 2017 interview with Asian American Writers’ Workshop .
Miho Hatori is a Japanese singer, songwriter, and musician. She is primarily known as the vocalist of the New York City group Cibo Matto. Other than that, she takes the role of Noodle in the ...
Miho Hatori is a Japanese singer, songwriter, and musician. She is best known as a solo artist, co-founder of New York City band Cibo Matto, and as the first person to provide the voice of Noodle in the virtual band Gorillaz, as well as for her work with the Beastie Boys, Handsome Boy Modeling School, Smokey Hormel, John Zorn, and many more.
Miho Hatori is a visionary artist, music producer, and singer. She was a founding member of Cibo Matto, contributed to the first Gorillaz album, and appeared on songs with the Beastie Boys. As of recent, Miho has developed multiple projects with varying concepts relating to identity issues in multimedia formats. Miho is originally from Tokyo, but has been working and living NYC for too many years.
Miho Hatori (羽鳥美保, Hatori Miho) (Tokio, 1971) is een Japanse zangeres, songwriter en muzikant. Ze is vooral bekend als soloartiest, mede-oprichter van de New Yorkse band Cibo Matto , en als de eerste persoon die de stem van Noodle gaf in de virtuele band Gorillaz , en voor haar werk met de Beastie Boys , Handsome Boy Modeling School , Smokey Hormel , John Zorn en nog veel meer.
Miho Hatori. 4,357 likes · 1 talking about this. Artist/Producer/Singer
19 de ago. de 2018 · Miho had performed at Elsewhere, a live music venue, artspace and nightclub in Brooklyn, just a few days before. The sparse and multitudinous sounds of New Optimism , her latest release at the time, had been adapted to the smaller and intimate space of one of the rooms, incorporating a live bass and keyboard, which made the performance immersive.
