Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Biografie. Vincente Minnelli, geboren als Lester Anthony Minnelli, was de zoon van Mina Mary LaLouette Le Beau en Vincent Charles Minnelli, muzikaal leider van het rondreizende toneelgezelschap Minnelli Brothers' Tent Theater. Minnelli was zelf ook in het theater te zien, van zijn derde tot zijn achtste, waarna hij naar school ging.

  2. 9 de dic. de 2019 · Beginning work at the studio in 1940 under famed musical producer Arthur Freed, Minnelli put his theatre background to use and became best known for his top-tier classics in the musical genre – Meet Me in St. Louis (1944) and An American in Paris (1951). Wholesome but not puritanical, all-American without chest-thumping, and laced with enough ...

  3. 23 de sept. de 2023 · Liza Minnelli was born to none other than Judy Garland and filmmaker Vincente Minnelli, both of whom thrived while acting and directing in some of the biggest musicals of Hollywood’s Golden Age.

  4. Vincente Minnelli , 1944. Je 6 juil 19h00 HL Je 20 juil 17h30 HL. Le Chevalier des sables. Vincente Minnelli , 1965. Di 16 juil 19h30 HL Di 30 juil 15h30 HL. Comme un torrent. Vincente Minnelli , 1958. Me 5 juil 19h00 HL Sa 22 juil 19h30 HL. Les Ensorcelés.

  5. Vincente Minnelli. Oscar al miglior regista 1959. Vincente Minnelli, all'anagrafe Lester Anthony Minnelli ( Chicago, 28 febbraio 1903 – Beverly Hills, 25 luglio 1986 ), è stato un regista statunitense, inizialmente costumista e scenografo teatrale; secondo marito di Judy Garland, dalla quale ebbe la figlia Liza Minnelli .

  6. 15 de jun. de 2017 · Vincente Minnelli foi um diretor fundamental para os musicais. Antes de partir para Hollywood, trabalhou na Broadway, onde se especializou em comédias musicais. Confira alguns de seus melhores filmes. Lester Anthony Minnelli, nascido em 28 de fevereiro de 1903 em Chicago, se transformou em Vincente Minnelli bem mais tarde. Ele estava iniciando seus primeiros passos …

  7. 22 de abr. de 2004 · Vincente Minnelli was fond of words like “beauty” and “magic”. They crop up in interviews and in his autobiography, to the point where these words become an aesthetic principle or even a philosophy from a director otherwise notoriously incapable of being articulate about his own work: “The search in films, what you try to create, is a little magic.”