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  1. 11 de abr. de 2014 · Brandenburg Concerto No. 3 in G major, BWV 1048 Johann Sebastian Bach (1685-1750) 3 violins, 3 violas, 3 cellos, bass, harpsichord. Dedicated to Christian Ludwig, Margrave of Brandenburg-Schwedt, on March 24, 1721.

  2. Christian Ludwig (24 May 1677 – 3 September 1734), a member of the House of Hohenzollern, was a Margrave of Brandenburg-Schwedt and a military officer of the Prussian Army. The margravial title was given to princes of the Prussian Royal House and did not express a territorial status. He is best known as the recipient of Johann Sebastian Bach's Brandenburg concertos.

  3. 17 de ago. de 2012 · Brandenburg Concertos: a musical job application. This group of six concertos is Bach’s best-known orchestral work. Originally titled ‘Concerto for many instruments’, they’re now known as the Brandenburg Concertos after Bach submitted them to Margrave Christian Ludwig of Brandenburg-Schwedt in 1721 in the hope of getting a job.

  4. Engraving of Christian Ludwig, Margrave of Brandenburg-Schwedt. Half length with curled wig, plain tie, armour, sash, and mantle edged in ermine. Oval with German inscription on entablature below. Cut down.

  5. Karl Friedrich Albrecht, Margrave of Brandenburg-Schwedt (10 June 1705 – 22 June 1762), a grandson of Frederick William of Brandenburg ( the Great Elector) and son of Margrave Albert Frederick of Brandenburg-Schwedt, was a Prussian military officer and the Herrenmeister ( grand master) of the Order of Saint John (Bailiwick of Brandenburg). [1]

  6. mar·grave. (mär′grāv′) n. 1. The lord or military governor of a medieval German border province. 2. Used as a hereditary title for certain princes in the Holy Roman Empire. [Probably Middle Dutch marcgrāve : marc, march, border; see merg- in Indo-European roots + grāve, count (perhaps ultimately from Greek grapheus, scribe; see gerbh ...

  7. 10 de may. de 2022 · Christian Ludwig Margrave of Brandenburg by Antoine Pesne around 1710. Aside from speculation about Bach’s meaning in this passage, much has also been made of the impact which Bach’s surroundings at the court in Köthen might have had on the music of the concertos. For instance, Bach’s employer at the time, Prince Leopold, was an amateur ...