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  1. 16 de dic. de 2008 · After almost a decade apart, Ginger Rogers and Fred Astaire came together again in 1949 and filmed their tenth and final musical, THE BARKLEYS OF BROADWAY, for MGM. It is unique in several ways (not the least of which is that fact that it was their only film in color), but at the same time, hearkens back to the old 'thirties musicals through which we had come to know and love them.

  2. A lo largo de sus carreras, Fred Astaire y Ginger Rogers trabajaron en diez películas juntos entre 1933 y 1949. Vamos a repasarlas a continuación. 1. Flying Down to Rio. Dirección: Thornton Freeland. Guión: Erwin S. Gelsey, H.W. Hanemann, Cyril Hume. Producción: Merian C. Cooper, Lou Brock. Compañía productora: RKO.

  3. 21 de oct. de 2022 · Fred Astaire and Ginger Rogers performing Night and Day (1934)

    • 5 min
    • 41.5K
    • vintage video clips
  4. Ele gostou do que viu e comprou os direitos da peça, para transformá-la em um filme com Astaire & Rogers. A princípio, Fred não se opôs a trabalhar outra vez com Ginger, mas rechaçou a ideia de uma nova parceria. Após toda uma vida à sombra da irmã, ele temia ficar preso novamente a uma companheira.

  5. 14 de dic. de 2009 · Here are my five favorite musicals Fred Astaire made without Ginger Rogers: • A Damsel in Distress (1937) Directed by George Stevens, who also directed Swing Time, this movie takes place in England. Astaire plays Jerry Halliday, an American singer-dancer vacationing in London, who becomes involved in a matchmaking scheme hatched by the ...

  6. 30 de dic. de 2020 · When Fred Astaire and Ginger Rogers danced "The Missouri Waltz" on the set of The Story of Vernon and Irene Castle in 1939, it felt like a historic moment. After six years and nine films, the partnership of Astaire and Rogers seemed to be ending with this final, impossibly beautiful waltz.

  7. 17 de oct. de 2015 · Astaire tried to get Luce for the 1934 film version of the play, but was overruled by RKO Radio Pictures which instead chose their contract player, Ginger Rogers. Critic Brooks Atkinson wrote, of Luce’s performance, “Fred Astaire has found a partner who can match him step for step and who flies over the furniture in his company without missing a beat.”

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