Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Ignaz Moscheles (1794–1870) was a cosmopolitan virtuoso whose long career spanned the greatest period in the development of the piano, from Beethoven to Liszt. In this development he played an important part, which is now slowly coming to be appreciated after a long period of neglect.

  2. Ignaz Moscheles [1] (Ĭg´näts mōsh´əlĕs), 1794–1870, Bohemian-German musician. Born in Prague, Moscheles was a child prodigy. He studied in Vienna with Johann Albrechtsberger and Antonio Salieri [2] and prepared a piano score of Beethoven's Fidelio under the composer's direction.

  3. MOSCHELES, IGNAZ (1794–1870), pianist and composer. Born in Prague, he studied in Vienna, but settled in London in 1826 as a concert pianist. In 1846 Felix *Mendelssohn (to whom he had given piano lessons in 1824) invited him to become piano teacher at the Leipzig Conservatory. He taught there to the end of his life. Moscheles' playing was ...

  4. 15 de abr. de 2021 · Ian Hobson/Sinfonia da CamaraIgnaz Moscheles (1794-1870) was a Bohemian Composer and Pianist. Ignaz developed an early passion for the (then revolutionary) p...

    • 17 min
    • 3.8K
    • fyrexianoff
  5. More images. Profile: Ignaz (Isaac) Moscheles (23 May 1794 – 10 March 1870) was a Bohemian composer and virtuoso pianist, whose career was based initially in London, and later at Leipzig. Sites: Wikipedia. Variations: Viewing All | Ignaz Moscheles. Moscheles, I. Moscheles, Isaak-Ignaz Moscheles, Mocheles, モシェレス, Igniaz Moscheles ...

  6. Op.60 - Piano Concerto No.3 in g minor (1820) (The catalogue of Moscheles complete works gives this work as Op.60, however, the score has Op.58, therefore the concerto might have been published under different opus numbers.) Op.66 - La petite Babillarde. Rondeau for Piano (1825) Op.74 - Les Charmes de Londres.

  7. 8 de nov. de 2020 · Education: 2017-2022 PhD in Music – University of London, Goldsmiths College. Thesis Title: Ignaz Moscheles’ reception in the nineteenth century and his influence on concert life. Supervisors: Emeritus Professor Simon McVeigh and Dr Naomi Matsumoto. 2014-2015 MA in Historical Musicology (Merit) – University of London, Goldsmiths College.