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23 de ene. de 2021 · These are the 10 films of Samuel Fuller that you need to see. 1. The Steel Helmet (1951) “All war stories are told by survivors.”. After directing two westerns for producer Carl Hittleman, I Shot Jesse James (1949) and The Baron of Arizona (1950), Fuller self-produced The Steel Helmet, a Korean war story reportedly written in one week and ...
Biografía de Samuel Fuller 12 de Agosto de 1912, y su filmografía, todas sus películas: Pierrot, el loco, A bayoneta calada, El amigo americano, Uno rojo división de choque, 40 pistolas
30 de oct. de 1997 · A towering figure in the history of independent film, director Samuel Fuller unleashed his deeply personal, highly stylized vision of society teetering between greatness and disaster in such polarizing films as "The Steel Helmet" (1951), "Pickup on South Street" (1953), "Shock Corridor" (1963),...
Samuel Michael Fuller (12 Agustus 1912 – 30 Oktober 1997) [1] adalah seorang penulis naskah, novelis dan sutradara Amerika Serikat. Fuller menulis skenario perdananya untuk Hats Off pada 1936, dan membuat debut penyutradaraannya dengan film koboi I Shot Jesse James (1949).
18 de ene. de 2011 · In Shock Corridor, the great American writer-director-producer Samuel Fuller masterfully charts the uneasy terrain between sanity and madness. Seeking a Pulitzer Prize, reporter Johnny Barrett (Peter Breck) has himself committed to a mental hospital to investigate a murder. As he closes in on the killer, insanity closes in on him. Constance Towers costars as Johnny’s coolheaded stripper ...
3 de oct. de 2014 · Samuel Michael Fuller, August 12, 1912, Worcester, Massachusetts, USA. d. October 30, 1997, Hollywood, Los Angeles, California, USA. “It is not necessary for the camera to move or for the characters to move. What matters is that the emotion of the audience should move. I call that the emotion picture.”. – Samuel Fuller (1)
Rebelde por naturaleza, Samuel Fuller hizo famosa la frase “El cine es acción y emoción”. Durante los años cincuenta y sesenta es considerado por buena parte de la crítica de izquierda como un violento director de derecha que da las órdenes en sus rodajes a golpe de pistola; pero su verdadera imagen es la que se desprende de la visión ...
