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  1. Tim Berne (* 16. Oktober 1954 in Syracuse, New York) ist Altsaxophonist und Protagonist der improvisierten Musik. Sein energetisches Spiel ist vor allem beeinflusst vom Soul und Blues der 1960er Jahre, insbesondere von Musikern wie Sam & Dave, Johnnie Taylor, Martha & the Vandellas und Gladys Knight. Seine eigene Musik bewegt sich jedoch vor ...

  2. timberne.bandcamp.com › album › fulton-street-maulFulton Street Maul - Tim Berne

    Fulton Street Maul by Tim Berne, released 11 July 2016 1. Unknown Disaster 2. Icicles Revisted 3. Miniature 4. Federico 5. Betsy

  3. Intakt CD 395. Tim Berne, pioneer of New York’s legendary “downtown scene”, and his long-time duo partner Matt Mitchell on piano release the album One More, Please – an impressive and refreshing example of the art of improvisation. The two virtuoso instrumentalists have worked together for more than ten years – including in Berne’s ...

  4. Tim Berne’s work is characterized by tireless artistic dedication and creativity. His newly formed trio with accordionist and multi-instrumentalist Aurora Nealand and cellist Hank Roberts takes the listener on a sonically adventurous journey on Oceans And and delights with much imagination and amazing musical diversity.

  5. TIM BERNE'S SNAKEOIL with Matt Mitchell, Oscar Noriega, Ches Smith, Marc Ducret Tim Berne. Brooklyn, New York.

  6. 22 de oct. de 2022 · In fact, paired with pianist Matt Mitchell on Angel Dust (Screwgun, 2018), and now the album at hand, One More Please, the sounds are often quite lovely—oddly ruminative searching dances which certainly contain a high percentage of improvisation, a low percentage of pre-set choreography. Cerebral sounds in their own pleasingly scrambled way.

  7. ecmrecords.com › artists › tim-berneTim Berne - ECM Records

    Tim Berne has been declared “a saxophonist and composer of granite conviction” by The New York Times. Acclaim for the first, eponymous ECM album from Berne’s quartet Snakeoil came from far and wide, with The Guardian calling it “an object lesson in balancing composition, improvisation and the tonal resources of an acoustic band.” With the […]

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