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Thomas Lawrence PRA FRS ( Bristol, 13 de abril de 1769 – Londres, 7 de janeiro 1830) foi um dos principais pintores retratistas britânicos do início do século XIX, além de presidente da Academia Real Inglesa. [ 1]
Lawrence exhibited his first full-length portrait at the Academy in 1789, and his contributions the following year established his reputation. In 1791 he was elected an Associate of the Royal Academy, in 1792 he succeeded Reynolds as Painter-in-Ordinary to the King, and in 1794 he became a full Academician. From 1793 he had pupils and studio ...
22 de nov. de 2023 · Thomas Lawrence se inspira en Milton y su Paraíso Perdido, cuando Satanás, que había sido desterrado al Infierno, despierta a sus seguidores para tratar de recuperar el Cielo. Milton había escrito su poema épico cien años antes, pero al parecer volvió a ponerse de moda en la década de 1790, quizás por la Revolución Francesa, vista desde lejos con gran interés por los artistas ...
Thomas Lawrence. Lawrence fue un artista precoz, siendo sólo un niño comenzó a dibujar retratos de los turistas que frecuentaban la taberna de su padre, sita en Devizes. En 1780 se trasladó con su familia a la ciudad balneario de Bath, donde continuó con su actividad, que se convirtió en la principal fuente de ingresos familiar.
Lawrence, Thomas. A. R. (Bristol, 1769-Londres, 1830). Pintor británico. Fue, después del fallecimiento de Joshua Reynolds en 1792, el retratista más importante de Gran Bretaña. Decimocuarto hijo de un posadero, muestra ya desde edad muy temprana una precoz audacia en el dibujo. Prepara retratos de la clientela de su padre y de los ...
Thomas Lawrence was an esteemed English portraitist. Known for his deft paintings of British royalty, his works provide tremendous insight into European aristocracy during the Napoleonic Wars. Born on April 13, 1769 in Bristol, United Kingdom, Lawrence was something of an artistic prodigy. Though he had no formal training, by the age of 10, he ...
Lawrence was the most fashionable and also the greatest portraitist of his generation. He was made Principal Painter to George III in 1792 after Reynolds’s death, and received occasional commissions; however it was only after 1814 that George IV began to employ him in earnest.This is the coronation portrait of George IV painted in 1821 and recording the extraordinary robes designed by the ...
