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The Spanish Tragedy, written by Thomas Kyd and first published in 1592, is a revenge tragedy that tells the story of Hieronimo, a Spanish nobleman who seeks justice for the murder of his son, Horatio. Filled with dramatic twists, ghostly interventions, and poetic soliloquies, the play explores themes of vengeance, justice, and the consequences ...
La tragedia spagnola è una tragedia di Thomas Kyd, unico testo rimasto della sua produzione e risalente al periodo che intercorre tra il 1582 ed il 1592 . Si presenta come una "Tragedia di vendetta" o "di giustizia" (detta revenge tragedy ). La trama parte dall'apparizione del fantasma di Andrea, giovane morto in guerra, all'amata Bellimperia.
Thomas Kyd’s The Spanish Tragedy is a classic example of Renaissance literature, which typically refers to literature written in Europe during the Renaissance—a period of history that spanned the 14th to the 17th centuries and marked Europe’s transition from the Middle Ages to Modernity. This period, particularly within art and literature ...
Thomas Kyd (1558-1594) As is so often the case with writers of the period, little is known of Kyd's life--and indeed the only way we know that his most famous play, The Spanish Tragedy, was by him is from a reference in a contemporary pamphlet.
W maju 1593 roku Thomas Kyd, jako bliski znajomy Christophera Marlowe'a, został aresztowany i oskarżony o obrazę uczuć religijnych [2]. Poddany torturom, próbował się bronić, zrzucając winę na towarzysza. Po śmierci Marlowe'a w gospodzie w Deptford, został zwolniony z więzienia. Złamany fizycznie i psychicznie, zmarł w nędzy.
Thomas Kyd ([tɔ́məs kɪ́d], 1558–1594) angol drámaíró és fordító, I. Erzsébet korában nagyban hozzájárult a dráma fejlődéséhez Shakespeare és Christopher Marlowe kortársaként. A születése pontos dátuma azóta is ismeretlen, viszont 1558. november 6-án keresztelték meg a londoni Mary Woolnoth-templomban, majd 1594-ben hunyt el. Szülei Francis Kyd és Anna Kyd voltak.
Indeed, for a text that, in superficial ways, appears straightforward, even primitive, The Spanish Tragedy proves surprisingly unstable. That instability entails consequences larger than the text itself. For the critical difficulty goes beyond engaging an enticingly ambiguous work — one that offers conspicuous points of entry to analysis but ...
