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14 de sept. de 2016 · Maurice Jean Jacques Merleau-Ponty (1908–1961), French philosopher and public intellectual, was the leading academic proponent of existentialism and phenomenology in post-war France. Best known for his original and influential work on embodiment, perception, and ontology, he also made important contributions to the philosophy of art, history, language, nature, and politics.
A Lycée Louis-le-Grand gimnáziumban folytatott tanulmányok után, Maurice Merleau-Ponty az École normale supérieure nevű egyetemre iratkozott, ahol Sartre mellett tanult, szoros barátság alakult ki közöttük. 1930-ban szerzett tanári diplomát filozófiából. Először Beauvais -ban tanított (1931-1933) majd Chartres -ban (1934-1935).
Summary. Merleau-Ponty (1908-1961) is best known for his contributions to phenomenology, in particular to phenomenological approaches to the body, perception, and consciousness in relation to nature. This also leads him to contributions in aesthetics, ontology, and the philosophy of nature, philosophy of science and philosophy of psychology.
10 de jun. de 2021 · Merleau-Ponty dalam (Sebastian, 2016) menjelaskan bahwa keberadaan dunia beserta objek-objek di hadapan manusia itu bukan hasil rekonstruksi pikiran atau ide-ide belaka. Dunia beserta objek-objek tersebut dialami sebagai sesuatu yang sangat terkait dengan kesatuan tubuh. Hal ini merupakan bentuk kritiknya atas kaum rasionalisme, yang menganggap ...
30 de abr. de 2024 · Maurice Merleau-Ponty (born March 14, 1908, Rochefort, Fr.—died May 4, 1961, Paris) was a philosopher and man of letters, the leading exponent of Phenomenology in France. Merleau-Ponty studied at the École Normale Supérieure in Paris and took his agrégation in philosophy in 1931. He taught in a number of lycées before World War II, during ...
Maurice Merleau-Ponty (14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest and he wrote on perception, art and politics. He was on the editorial board of Les Temps Modernes, the leftist magazine ...
Merleau-Ponty once again uses Goldstein’s work – in this case his studies of a patient (Schneider) who had suffered brain injuries during the First World War. But what is new in The Phenomenology of Perception is the use that Merleau-Ponty makes of his phenomenology in the characterization of Schneider’s case and then, by an inversion, his use of Schneider’s case to revise the ...
