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Nov 17, 2018 – Feb 17, 2019. The exhibition on the French Neo-Impressionist at the Museum Barberini was the first retrospective devoted to this artist at a German museum. Henri-Edmond Cross (1856–1910) is one of the leading exponents of French Neo-Impressionism. With his friend and fellow painter Paul Signac, he discovered the Côte d ...
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of that movement. He was a significant influence on Henri Matisse and many other artists.
Henri- Edmond Cross, pintor francés, nació en Douai el 20 de mayo de 1856 y murió en Saint-Clair el 16 de mayo de 1910. AUTORRETRATO CON CIGARRILLO. LA CADENA MONTAÑOSA DE LOS MAURES 1907. LA BARCA AZUL 1899.
Henri-Edmond Cross adopted the Neo-Impressionist technique of applying small dots or dashes of pure color in 1891. Around 1896, as seen in this view of a spectacular cloud, he shifted toward larger, more emphatic brushstrokes, often surrounded by areas of white to achieve greater color intensity. His daring use of pure, abstract color and decorative design significantly influenced Henri ...
La barca azul (Henri-Edmond Cross) Naturaleza celular (Chuck Close, artista contemporáneo) Otros tipos de puntillismo. Monocromáticos: se da la asociación o disociación de puntos que produce un contraste con su fondo, esto depende de lo espaciados que estén los puntos unos de otros.
Además de Seurat y Signac, otros artistas destacados que han utilizado el puntillismo en su obra incluyen a Camille Pissarro, Maximilien Luce y Henri-Edmond Cross. Cada uno de ellos aportó su estilo y enfoque personal a esta técnica, experimentando con diferentes formas de aplicación y explorando los límites del puntillismo.
Drawn to the new leisure activities available to citizens in a rapidly transforming Paris, Hayet (Pontoise, August 29, 1864 - Cormeilles-en-Parisis, December 27, 1940) frequented cafes, music halls and circus spectacles, leaving us with evocative atmospheric records of these recreational milieus.
