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Oct 30, 1839 - Jan 29, 1899. Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air. He deviated into figure painting only rarely and, unlike Renoir and Pissarro ...
Alfred Sisley’s depictions of the rural French countryside occupy an important position in the early development of Impressionism. At the beginning of the 1870s, Sisley, along with Claude Monet, Pierre-Auguste Renoir and Camille Pissarro, was drawn to the small riverside towns and villages of the Île-de-France, finding a wealth of inspiration in the meeting of open, unspoiled nature, and ...
Alfred Sisley (1839 - 1899) En 1880, se produce una gran ruptura en la vida de Sisley, así como en su obra. El pintor abandona la Seine-et-Oise donde residía y trabajaba desde 1871 para establecerse en Seine-et-Marne, donde elige vivir hasta su muerte en 1899.
Soleil d’hiver a Veneux-Nadon was exhibited in the seventh Exposition des Artistes Indépendents in Paris in March 1882. The painting featured alongside other scenes of the Moret region and with works by fellow Impressionists, Monet, Renoir, and Pissarro, although Sisley was the only artist to show landscapes exclusively.
Sisley had moved to the region in 1880, settling initially at Veneux-Nadon on the left bank of the Loing, in a house just a few minutes' walk from the railway station. In the fall of 1882, he moved about three miles away to Moret, which he described enthusiastically in a letter to Monet: "Moret is just two hours journey from Paris, and has ...
Painted in 1872, Le potager dates from a decisive year in Sisley’s career, during which the artist’s Impressionist style emerged. Capturing the quiet charm of a domestic country garden bathed in rich, golden light, Le potager exudes a picturesque tranquillity, demonstrating Sisley’s ability at transforming transient and rustic scenes of ...
Avenue of Chestnut Trees Near La Celle-Saint-Cloud illustrates a hunting trail leading through a heavily shaded forest close to the village of La Celle. Sisley painted this subject two times before, in 1865. This painting's subject matter and intense color are reminiscent of the Barbizon school.
