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Paper Church. This community center was built by church volunteers whose house of worship was destroyed by Kobe earthquake in 1995. Materials were donated by a number of companies, and construction was completed in only five weeks by the 160 volunteers. The plan (10 x 15m) is enclosed within a skin of corrugated, polycarbonate sheeting.
25 de jun. de 2024 · The earthquake caused irreversible damage to a high-profile neo-Gothic Anglican Cathedral in the city. As the city of Christchurch began to recover, a need emerged for a temporary venue for worship and events. Renowned architect and 2014 Pritzker Prize winner Shigeru Ban was approached to lend his expertise. Despite being delayed in Japan due ...
12 de may. de 2020 · 2014 Pritzker Laureate Shigeru Ban may be as well known for his innovative use of materials as for his ... Paper Church (1995-2005, disassembled ... Cardboard Cathedral (2013) Christchurch ...
27 de jul. de 2023 · La catedral de cartón del reconocido arquitecto japonés Shigeru Ban, fue concebida como un símbolo de la recuperación de un terremoto de magnitud 6.3 que sacudió la Ciudad de Christchurch, en Nueva Zelanda en febrero de 2011. Ban eligió para la construcción de esta iglesia, que se ha convertido ya en parte de la arquitectura de Nueva ...
18 de nov. de 2014 · Shigeru Ban is known as “The American” in Japan and, as any born-and-bred Cantabrian will proudly tell you, Christchurch was a Church of England settlement. The first ships carrying British settlers arrived in December 1850, building huts along the Avon River in the area now designated as North Hagley Park.
The building was designed pro bono by Shigeru Ban, who is characterised as a "disaster architect"; Ban collaborated with Christchurch architecture firm Warren and Mahoney.[4] In August 2011, it was reported that a new cathedral would open in February 2012, A-frame in style, rising 78 feet (24 m) in height, would incorporate 86 cardboard tubes of 1,100 pounds each atop 20 feet (6.1 m) long ...
21 de ago. de 2013 · The poetry of replacing the collapsed stone weight of a cathedral with the seemingly fragile lightness of a 'paper church' speaks for itself (Ban's term translates into 98 cardboard tubes, each 600mm in diameter and 17m-22m long, supported by wooden beams and protected by a roof of translucent polycarbonate sheets); and Ban, like other poets, brushes away further analysis.
